On Oct. 15 in the year 1881, Pelham Grenville Wodehouse was born and, despite his mother’s penchant for substantial names, he was known throughout his life as Plum.
Growing up in late Victorian and Edwardian England, Plum,
not atypically, was raised along with his two older brothers in England
whilst his parents resided in Hong Kong. A reserved and solitary
individual, he began writing stories at the age of 7. Plum’s first
published work was in “Public School” magazine in February 1900; his
career was to span three quarters of a century.
Listening to one of his audiobooks, “Damsel in Distress,”
I was completely struck by how effortlessly he makes the most mundane
of topics — eliminating pests in the garden for instance — into a
fascinating bit of revelry. A young lady running away and hiding in a
taxicab while her brother confronts her erstwhile rescuer draws a crowd
of ordinary working class folks speculating on the exact nature of the
argument and what will come of it. The activities of the everyday and
the quirks and vagaries of his characters continue to amuse us.
In many ways Wodehouse fashioned the current view of what
Edwardian England was like. Nearly everyone is familiar with his
marvelous characters Bertie Wooster and the inestimable Jeeves. Who
hasn’t been enchanted by the word play of Hugh Laurie and Stephen Fry as
they portray these two fellows getting in and out of the most absurdly
sticky situations?
The library has four seasons of this wonderful show on
DVD ready to be checked out. “The Jeeves Omnibus” is a good place to
begin if you are unfamiliar with the antics of these two characters. It
includes two complete novels and 10 short stories full of Plum’s unique
dialogue of erudition and English upper-crust slang.
Wodehouse wrote 70 novels and more than 300 short
stories. One collection of stories of particular interest might be
“Wodehouse on Crime,” edited by Bensen with an intriguing forward by
Isaac Asimov. With such titles as “Strychnine in the Soup” and “The
Crime Wave at Blanding’s, this collection is for the detective novel
lover.
“Strychnine” begins with characters described as their
favorite libation — “Draught Stout” is comforted by “Lemonade and
Angostura.” Bibliophiles everywhere will appreciate this excerpt: “No
poet has yet treated of the most poignant bereavement of all — that of
the man half-way through a detective story who finds himself at bedtime
without the book.”
A number of Plum’s stories have been used to create a
fine collection of short dramatic pieces on DVD, “Wodehouse Playhouse.”
In one installment, a young man with an awful stammer is rid of his
stutter after a day reminiscent of a Keystone cops episode and finally
able to profess his love to his neighbor the vicar’s daughter.
David Jasen writes smoothly and with obvious affection an
appealing biography, “P.G. Wodehouse: A Portrait of a Master.” Included
in the biography are photographs, first printing book and magazine
covers, personal letters and posters from musicals. Plum was an
accomplished lyricist and wrote many plays and lyrics alone and in
partnership with Jerome Kern and Guy Bolton. Looking for more, Jasen’s
book includes a bibliography of published works.
Take time to explore the truly delightful world of P.G. Wodehouse.
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